Sunday, September 30, 2012

A Career Coach: The Catalyst for Your Success!

??The greatest good you can do for another is not just to share your riches??but to reveal to him his own.?? ? Benjamin Disraeli

Hiring a coach is a smart move if you?re seeking meaningful direction or advancement in your career. Coaches can be instrumental in helping their clients build on their strengths, overcome weaknesses, avoid blind spots and develop finesse in advancing their careers. Recognizing the value of a coach requires emotional maturity and humility.? Few can honestly say that they made it to the top of their field without some kind of a mentor.? The question you should ask yourself isn?t whether or not a coach can be useful but rather, how do I choose a coach that will boost my chances for success? Many of the most talented and successful athletes, entertainers, motivational speakers, politicians and executives attribute their rise to great heights to having an effective coach.

Eric Schmidt, Executive Chairman and CEO of Google, helped grow the company from a Silicon Valley startup to a global leader in technology. In a recent interview with CNN Money, Schmidt said the best advice he ever got was that I should have a coach.? He admitted that initially he resented the advice, because after all, ?I was a CEO.? I was pretty experienced.? Why should I need a coach?? Am I doing something wrong?? His argument was, How could a coach advise me if I?m the best person in the world at this?? But that?s not what a good coach does. A coach doesn?t have to play the sport as well as you do. They have to watch you and get YOU to be your best. A coach is somebody who looks at something with another set of eyes, describes it to you in (her) words, and discusses how to approach the problem.?

Career Coaches come with a variety of educational backgrounds, credentials and certifications but there is still no formal rating system to help consumers identify an effective coach. Finding a coach you can trust and who can help you with gaining perspective requires some research. Word of mouth is one way to find a good coach. Another way to gain insight about a coach?s abilities is to read their articles and career blogs to see if their content is filled with meaningful advice that resonates with you. While a conventional advertisement gives you the basic credentials and a brief description of their services, the articles coaches write provide a clearer indication of the substance they could offer and the depth of their expertise on career trends and strategies.

Marketers describe this form of advertising as ?Content Marketing? and it?s used more frequently today as a means for businesses to reach consumers and provide them with useful, free information as a means of showcasing their value. Career Coaches are beginning to brand themselves by writing blogs on topics relating to career management.

Choosing a coach

Here are some tips to keep in mind when choosing a coach:? Is the coach articulate, persuasive, well informed about industry trends and well versed in training clients for interviews? Can your coach assist you in finding multiple opportunities that suit your skills and interests? Does your coach understand the mindset of hiring managers? Will your Coach be able to assist you in tailoring your resume and your cover letter to explain why you?re the right fit for a specific job? Will your coach be capable of training you to communicate your message in a compelling, authentic way?

It?s also important that your coach present you with a variety of resources that will address your specific concerns and needs. The astute coach should give you feedback about your strengths and also help you see yourself in a realistic light without diminishing your esteem. In short, if you relate to the messages and topics a coach writes about, you will probably relate to their coaching style.

Once you establish a rapport with a coach, seek out their opinion on areas you improvement. Don?t be afraid of criticism.?It will help you to concentrate in the areas which you need improvement. A good coach can identify blind spots that inhibit us from making great decisions.

The blind spots

Aviv Shahar, Founder of Aviv Consulting,?www.avivconsulting.com

is an international consultant, coach, author and featured speaker. He has extensive experience coaching executives and helping leaders improve their effectiveness, strategic thinking and collaboration. Aviv wrote an insightful essay detailing a variety of common blind spots that can inhibit people from making objective, clear, unbiased decisions. He identifies different blind spots:

  1. ?The Bias Blindness? If you are a human you have biases and preferences. The point is to?become aware?and get to know your biases. If you don?t, they control you and prevent you from seeing the full picture and from making optimal decisions.
  2. ?The Reaction Blindness? Reacting is not choosing.?You have the capacity to consider options and to choose how to respond. ?Experience is not what happens to you; it is what you do with what happens to you.?
  3. ?The ?Why? Blindness? Purpose outlines direction?and defines criteria against which all decisions can be measured.? Being unclear on your overarching purpose ? your ?Why? ? can leave you rudderless and without a compass.
  4. ?The Objectives blindness ??Clarify your desired outcome and what success looks like.?A decision is a choice among alternatives. If you are not clear about the ?What? (objective) it?s difficult to choose among the options.
  5. ?The Musts/Wants Blindness? Musts are deal breakers. Wants are nice to have.?Beware of confusing ?wants? for ?musts.?? In matters of importance and in large purchasing decisions like buying a home, define first the musts and then order the wants by weight of importance.?

I agree with Aviv?s assertions about the importance of knowing your blind spots and the value of finding a mentor who can help you to see them clearly.? An expert coach can provide you with a new perspective so you can see your blind spots and avoid costly mistakes from poorly thought out decisions. ?It?s wise to find someone you trust to bounce off questions about your choices and your strategy for achieving your goals. A successful professional coach can help you identify and work through your blind spots to set you on a direct path towards achieving your goals.

Author:

Beth Kuhel, M.B.A., C.E.I.P (Certified Employment Interview Professional)

Beth is Founder and President of Get Hired, LLC.? She advises students on how to bridge the gap from school to career. ?Beth is the co-author of?From Diploma to Dream Job: Five Overlooked Steps to a Successful Career?(available on Amazon?http://www.amazon.com/dp/1461087082) Her coaching assists students to successfully match their needs, interests, passions, skills, and personal goals with the needs of a sustainable industry in a sustainable location. ?Beth is also a resource for print and online media and offers workshops for University Career Service Departments, High School Guidance Counselors and College Alumni Associations. See website for more details about Beth?s services?www.fromdiploma2dreamjob.com

Source: http://www.personalbrandingblog.com/a-career-coach-the-catalyst-for-your-success/?utm_source=rss&utm_medium=rss&utm_campaign=a-career-coach-the-catalyst-for-your-success

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Cameron on 2-day tour to meet Brazilian president

David Cameron is set to promote British business in Brazil on his 2-day tour to meet Brazilian president Dilma Rousseff.

On Thursday, the Prime Minister admitted Britain had been "under-performing" in Brazil, with just 1.5% of imports compared to Germany's 6.4%.

He has set himself the goal of driving up UK trade links with the emerging economic giant - now sixth in the world GDP table - as part of his export-led strategy for nursing the battered UK economy into recovery.

He was joined by a 58-strong business delegation in Brazil and welcomed the signing of deals worth upwards of ?100 million for the UK, which he said would safeguard or create 3,000 jobs in Britain.

Since coming to office in 2010, Mr Cameron has made boosting exports a key foreign policy priority. Brazil is the last of the four BRIC economies he has visited, after Russia, India and China, and he has now been to all of the G20 countries with the exception of Argentina.

With Rio de Janeiro inheriting the title of Olympic city from London, Mr Cameron is keen to ensure that the expertise gained in staging this summer's Games is put to good use in winning 2016 contracts for the UK.

On Thursday night he viewed plans for the proposed Olympic Park, which will be constructed to a masterplan drawn up by London-based Aecom, who performed a similar role for the 2012 Games.

British companies are also pursuing contracts to help stage the 2014 football World Cup in Brazil, with London's Bluecube announcing it will provide seating for the Castelao stadium in the city of Fortaleza.

Mr Cameron is fly to capital Brasilia to meet Ms Rousseff at the presidential Planalto Palace on the last leg of his trip - which also took in two days in New York to address the United Nations General Assembly and appear on the Late Show with David Letterman.

On the agenda for talks with Ms Rousseff will be Brazil's growing energy sector, which Mr Cameron believes provides an opportunity to export UK expertise and skills gained in 40 years of drilling in the North Sea.

Source: http://www.gowealthy.com/gowealthy/wcms/en/home/news/Cameron-on-2-day-tour-to-meet-Brazilian-president.html

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How I reduced salt in a favorite dish - Do You Really Know What ...

You'd expect a dish with two small but mighty ocean fish to be salty, but pasta with canned sardines and anchovies really piles in on.

There is sodium in nearly every ingredient, including the imported Colavita whole-wheat pasta I sometimes use.

The first way to cut salt in the recipe is to stop salting the water used for boiling the pasta.

In the past, I'd pump up the flavor by dumping? sardines and anchovies and all their oil into the sauce, but now I drain the cans and add extra-virgin olive oil, which has no sodium.

A 2-ounce can of anchovies has 860 milligrams of sodium or 36% of the recommended daily intake of 2,400 milligrams.?

The anchovies dissolve completely, but give the sauce a hearty, non-fishy flavor.

A 4-ounce-plus can of the Moroccan sardines I use has 603 milligrams of sodium.

But the only way to avoid more sodium in the sauce is to make it yourself.

Today, I looked at the labels of a dozen bottled pasta sauces at the Hackensack ShopRite, and typically saw more than 300, 400 or even 500 milligrams of sodium listed for a serving size of one-half cup.

I found the lowest salt content in Chef Mario Batali's Tomato Basil pasta sauce -- only 180 mg per half cup -- but other Mario Batali sauces have a lot more sodium.

When I serve pasta with sardines and anchovies, I like to add grated Pecorino Romano, a sheep's milk cheese, so that's another source of sodium.

Not using salt in the pasta water and draining the cans of fish are good first steps, but I think I have to go further.

I could cut the amount of sardines -- to two cans from three or four per pound of pasta -- as well as use less bottled sauce and more extra-virgin olive oil.

I could also stop adding anchovies, but the sauce wouldn't be as robust. I can skip the grated cheese.

And I can console myself about the high sodium content of the dish by always drinking a glass or two of red wine with it.

At least that would be good for my heart.

Source: http://doyoureallyknowwhatyoureeating.blogspot.com/2012/09/how-i-reduced-salt-in-favorite-dish.html

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Saturday, September 29, 2012

Microsoft Sculpt Comfort Keyboard


The Microsoft Sculpt Comfort Keyboard ($59.99 list) retains the same distinctive curvy design featured in some of Microsoft's earlier contour keyboards, and comes with some new features like a detachable padded wrist rest and Windows 8-specific charm keys. The most striking change that's surely going to attract the most attention, though, is its dual-function spacebar, which is an otherwise ordinary spacebar (albeit considerably wider) that has been split into two separate keys, with the right half acting as a dedicated spacebar while the left side can be toggled between serving as a spacebar or a backspace key. Apart from these elements, though, there's not much to distinguish the Sculpt from other keyboards currently on the market.

Design and Features
The Sculpt is full-size keyboard with an all-black chassis constructed entirely out of plastic. The only departure from the Sculpt's plastic build is its detachable padded wrist rest, which can be removed by unlocking a latch on the underside of the keyboard. With the exception of a thin glossy strip running along the outer perimeter of the frame, the Sculpt sports a matte-finished look. Aside from giving the keyboard subdued, elegant look, the matte finish does a good job of resisting smudging after prolonged use, unlike the glossy-framed Logitech Wireless Solar Keyboard K750 . The Sculpt doesn't sport a thin profile like the K750, as its frame has a gradual bulge that raises its profile around the crescent of the wavy contour. The rounded design continues on Sculpt's scalloped keys, which feature a slight curvature on the bottom.

A switch on the upper right hand of the Sculpt allows users to toggle the top row of keys between standard function keys and a mixture of Windows 8-optimized hotkeys and charm keys. I used the Sculpt on a system with Windows 8 Release Preview installed and was able to dig a little deeper into its interface. Accordingly, the Sculpt's F1 through F4 keys are standard media playback keys that, incidentally, are compatible with earlier versions of Windows. Meanwhile, the F5 through F8 keys are shortcuts to Windows 8's five so-called "charms," which are share, settings, search, a device toggle, and a desktop button; the desktop button is also a charm, but that particular key, which features the new Windows logo, is on the Sculpt's lower left side. Without a Sculpt, you can accesses the charms by swiping from the right edge of a touch-enabled display.

The F9 through F12 keys, meanwhile, act as Windows 8 hotkeys that pertain to apps; F9 rotates between open apps, F10 lists all open apps on the left side of the screen, F11 enables a split-screen mode between any two apps, and F12 lists all open apps on the bottom portion of the screen. While these Windows 8-optimized keys succeed in making Windows 8 a more mangeable interface, the Sculpt's directional arrows unfortunately don't scroll through the tiled interface of the Windows 8 desktop screen, and instead simply allows for moving between individual tiles. Ultimately, this means that even with a Sculpt keyboard and a non-touch-capable system, you'll still need to use a compatible mouse to fluidly navigating the tiles?the Sculpt alone, alas, won't get you there.

And now, the spacebar. Microsoft's stated rationale for its decision to split the spacebar in half is to eliminate so-called "pinky reach," or the purportedly unnatural movement that occurs when one's pinky strikes the backspace key. It's premised on the notion that one can type more efficiently while also reducing strain by backspacing with the left hand's thumb. Fortunately, Sculpt users have the option to toggle between the dual-functionality approach or a traditional setup wherein both halves act as a spacebar by simply holding both keys for several moments.

The Sculpt uses two AAA batteries (which are included). If you're the type who constantly worries about battery life, then you'd likely be better off with either the solar-powered K750 or the Logitech Wireless Illuminated Keyboard K800 , which can be recharged via USB connection. The Sculpt is compatible with Windows 8, Windows RT, Windows 7 and Vista, though the Windows 8 charm keys and most of the hotkeys (with the exception of the media playback keys) don't all work with earlier versions of the operation system, save for the volume control and application selector.

Performance
Unlike the Microsoft Bluetooth Mobile Keyboard 6000 , the Sculpt connects wirelessly via an included USB dongle. If you plan on taking it on the go, be sure to remember where you place the dongle, as the Sculpt doesn't have any compartments on its underside for storing the dongle, unlike the Logitech Logitech Wireless Keyboard K360 . Unlike Logitech's proprietary "unifying" receiver technology, which allows up to six of its peripherals to connect via the same dongle, the Sculpt requires an entire USB port to itself, which may be problematic for users with systems with a limited amount of USB ports, like ultrabooks.

Typing on the Sculpt makes for an overall comfortable experience, especially when the wrist rest is attached. Moreover, the contoured shape curves in accordance with the natural posture of your hands. The response rate was on point; there was no lag time whatsoever. Throughout testing, the pitch of the keys felt just right, and they felt agreeably springy whenever bottoming out at the end of a keystroke.

While I've never considered "pinky reach" a particularly pernicious threat, I nonetheless was eager to try out the spacebar's dual-functionality feature. Overall, I had a difficult time adjusting to it, and found that it decreased my productivity. Of course, this is a very subjective call that ultimately boils down to taste, so you'd be better off trying it for yourself. Personally, I liked the Sculpt much more when the dual-functionality was turned off.

The Microsoft Sculpt Comfort Keyboard is a solid choice for anyone who wants a keyboard optimized for Windows 8 or who can envision a smoother typing experience when there's a backspace button next to the spacebar. Aside from these considerations, though, it's a fairly standard keyboard that lacks some of the more common features seen in other keyboards, like backlighting or a rechargeable battery. For these reasons, it doesn't have enough to dethrone our current Editors' Choice for keyboards, the Logitech Wireless Illuminated Keyboard K800.

More keyboard reviews:
??? Microsoft Sculpt Comfort Keyboard
??? Mad Catz S.T.R.I.K.E. 7 Gaming Keyboard
??? Razer BlackWidow Ultimate 2013 Elite
??? Rosewill Mechanical Keyboard RK-9000I
??? Logitech Washable Keyboard K310
?? more

Source: http://feedproxy.google.com/~r/ziffdavis/pcmag/~3/IY7xjp3dQtA/0,2817,2410339,00.asp

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Cops: 5 dead in Minneapolis workplace shooting

As police search for a motive in a deadly Minnesota workplace shooting, witnesses say the gunman may have been fired from his job at a small signage company earlier in the day. ?Four people and the gunman were killed, and four others were injured. NBC's Kevin Tibbles reports.

By NBC News staff, KARE 11 and wire reports

Updated at 8:02 a.m. ET: MINNEAPOLIS -?A gunman killed four people inside a Minneapolis sign-making business before turning the weapon on himself, authorities said early Friday.

The victims' bodies were found shortly after officers arrived at Accent Signage Systems Inc., located in a residential area in the city's north side, after receiving a 911 call Thursday afternoon, according to police spokesman Sgt. Stephen McCarty.

"When officers arrived and entered the business to assist with the evacuation of employees, give aid to the victims and to search for the suspect, they found four victims dead from apparent gunshot wounds," McCarty said in a statement.

Four other people were wounded, including three critically. McCarty?declined to identify those killed or wounded, and said he did not know what connection the shooter may have had with the business, if any.

'Kind of odd'
Minneapolis Police Deputy Chief Kris Arneson said officers never fired at the shooter. She didn't release other details ? including the shooter's possible motive.

Neighbor Heather Buckingham, who told NBC station KARE 11 that she formerly worked for Accent Signage Systems as a receptionist, said the gunman was an employee of the firm who had been laid off on Thursday.

Police continue to investigate a shooting in Minneapolis that left "several" dead and four injured. KARE's Jay Olstad reports.

"The one that was doing the shooting was quiet, kept to himself," she told KARE 11. ?"Kind of odd."

Someone from inside the building called 911 around 4:30 p.m. to report the shootings, police said. The first officers on the scene quickly began evacuating people from the business and closed off several blocks.

More news from NBC station KARE 11

Marques Jones, 18, of Minneapolis, said he was outside a building down the street having his high school senior pictures taken when he and his photographer heard gunfire that sounded close.

"We heard about four to five gunshots," Jones said. "We were shocked at what happened and we just looked at each other. We all just took off running to our vehicles."

Craig Lassig / AP

A police officer stands at the entrance of Accent Signage Systems in Minneapolis on Thursday.

'Watched his boss get shot'
Local resident Barb Gasterland told KARE 11 that an employee of Accent Signage Systems came to her home looking for help.

"He was visibly fearful," she said. "He came running up the side of the road and asked for the phone because he was running from the shooter."

Gasterland said the man described the details of the shooting while hiding in her house for about 30 minutes.

"He had watched his boss get shot and his best friend and two other people," she told KARE 11. "He could tell one person was dead at least."

Minneapolis Mayor R. T. Rybak described the incident as a "horrible tragedy."

John Autey / St. Paul Pioneer Press via AP

Officers with the Minnesota State Patrol man the Penn Avenue bridge over Bassett's Creek near the scene of a shooting in Minneapolis on Thursday.

In a statement, Governor Mark Dayton said: "I deplore this senseless violence. There is no place for it anywhere in Minnesota. I extend my deepest condolences to the families and friends of the innocent people killed or wounded."

Local business publication Finance & Commerce reported that U.S. Under Secretary of Commerce Francisco Sanchez visited Accent Signage Systems in August in a trip focused on exporting, and praised the company for its innovation.

KARE 11 reported:

Accent Signage Systems Incorporated specializes in interior signs that help the visually impaired.

The company holds a patent for technology that imprints Braille on things like hotel room numbers and restroom signs.

Companies in 38 countries use Accent's technology.

According to the company's Facebook page, Accent started as a part-time engraving business out of company president Reuven Rahamim's basement in 1984. It has grown significantly.

Accent now employs about 30 people and earns $5 to $10 million each year.

The Associated Press and Reuters contributed to this report.

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Source: http://usnews.nbcnews.com/_news/2012/09/28/14133671-five-dead-after-workplace-shooting-in-minneapolis-police-say?lite

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Friday, September 28, 2012

Google Maps, Now With More High-Res Satellite And 45? Aerial Imagery

go tigersGoogle Maps gets more awesome by the day. Earlier this week, the service started rolling out stunning underwater imagery- if you will, a seaview mode. Now Google took to the Google Maps blog to announces the inclusion of more high resolution images including a major build-out of 45-degree images. This update brings a lot of new data to the mapping service. Google Maps and Earth now features 17 cities and 112 countries and regions with high-resolution aerial and satellite imagery. In addition, 51 cities can now be viewed in a 45-degree mode including 37 cities in the US and 14 abroad (full list below). It's never been easier to burn a little time and escape from your cubical to a far away land.

Source: http://feedproxy.google.com/~r/Techcrunch/~3/Pzpsxia-nos/

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Measuring the universe?s 'exit door': For the first time, an international team has measured the radius of a black hole

ScienceDaily (Sep. 27, 2012) ? The point of no return: In astronomy, it's known as a black hole -- a region in space where the pull of gravity is so strong that nothing, not even light, can escape. Black holes that can be billions of times more massive than our sun may reside at the heart of most galaxies. Such supermassive black holes are so powerful that activity at their boundaries can ripple throughout their host galaxies.

Now, an international team, led by researchers at MIT's Haystack Observatory, has for the first time measured the radius of a black hole at the center of a distant galaxy -- the closest distance at which matter can approach before being irretrievably pulled into the black hole.

The scientists linked together radio dishes in Hawaii, Arizona and California to create a telescope array called the "Event Horizon Telescope" (EHT) that can see details 2,000 times finer than what's visible to the Hubble Space Telescope. These radio dishes were trained on M87, a galaxy some 50 million light years from the Milky Way. M87 harbors a black hole 6 billion times more massive than our sun; using this array, the team observed the glow of matter near the edge of this black hole -- a region known as the "event horizon."

"Once objects fall through the event horizon, they're lost forever," says Shep Doeleman, assistant director at the MIT Haystack Observatory and research associate at the Smithsonian Astrophysical Observatory. "It's an exit door from our universe. You walk through that door, you're not coming back."

Doeleman and his colleagues have published the results of their study this week in the journal Science.

Jets at the edge of a black hole

Supermassive black holes are the most extreme objects predicted by Albert Einstein's theory of gravity -- where, according to Doeleman, "gravity completely goes haywire and crushes an enormous mass into an incredibly close space." At the edge of a black hole, the gravitational force is so strong that it pulls in everything from its surroundings. However, not everything can cross the event horizon to squeeze into a black hole. The result is a "cosmic traffic jam" in which gas and dust build up, creating a flat pancake of matter known as an accretion disk. This disk of matter orbits the black hole at nearly the speed of light, feeding the black hole a steady diet of superheated material. Over time, this disk can cause the black hole to spin in the same direction as the orbiting material.

Caught up in this spiraling flow are magnetic fields, which accelerate hot material along powerful beams above the accretion disk The resulting high-speed jet, launched by the black hole and the disk, shoots out across the galaxy, extending for hundreds of thousands of light-years. These jets can influence many galactic processes, including how fast stars form. 'Is Einstein right?'

A jet's trajectory may help scientists understand the dynamics of black holes in the region where their gravity is the dominant force. Doeleman says such an extreme environment is perfect for confirming Einstein's theory of general relativity -- today's definitive description of gravitation.

"Einstein's theories have been verified in low-gravitational field cases, like on Earth or in the solar system," Doeleman says. "But they have not been verified precisely in the only place in the universe where Einstein's theories might break down -- which is right at the edge of a black hole."

According to Einstein's theory, a black hole's mass and its spin determine how closely material can orbit before becoming unstable and falling in toward the event horizon. Because M87's jet is magnetically launched from this smallest orbit, astronomers can estimate the black hole's spin through careful measurement of the jet's size as it leaves the black hole. Until now, no telescope has had the magnifying power required for this kind of observation.

"We are now in a position to ask the question, 'Is Einstein right?'" Doeleman says. "We can identify features and signatures predicted by his theories, in this very strong gravitational field."

The team used a technique called Very Long Baseline Interferometry, or VLBI, which links data from radio dishes located thousands of miles apart. Signals from the various dishes, taken together, create a "virtual telescope" with the resolving power of a single telescope as big as the space between the disparate dishes. The technique enables scientists to view extremely precise details in faraway galaxies.

Using the technique, Doeleman and his team measured the innermost orbit of the accretion disk to be only 5.5 times the size of the black hole event horizon. According to the laws of physics, this size suggests that the accretion disk is spinning in the same direction as the black hole -- the first direct observation to confirm theories of how black holes power jets from the centers of galaxies.

The team plans to expand its telescope array, adding radio dishes in Chile, Europe, Mexico, Greenland and Antarctica, in order to obtain even more detailed pictures of black holes in the future.

Christopher Reynolds, a professor of astronomy at the University of Maryland, says the group's results provide the first observational data that will help scientists understand how a black hole's jets behave.

"The basic nature of jets is still mysterious," Reynolds says. "Many astrophysicists suspect that jets are powered by black hole spin ... but right now, these ideas are still entirely in the realm of theory. This measurement is the first step in putting these ideas on a firm observational basis."

This research was supported by the National Science Foundation.

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Story Source:

The above story is reprinted from materials provided by Massachusetts Institute of Technology. The original article was written by Jennifer Chu, MIT News Office.

Note: Materials may be edited for content and length. For further information, please contact the source cited above.


Journal Reference:

  1. Sheperd S. Doeleman, Vincent L. Fish, David E. Schenck, Christopher Beaudoin, Ray Blundell, Geoffrey C. Bower, Avery E. Broderick, Richard Chamberlin, Robert Freund, Per Friberg, Mark A. Gurwell, Paul T. P. Ho, Mareki Honma, Makoto Inoue, Thomas P. Krichbaum, James Lamb, Abraham Loeb, Colin Lonsdale, Daniel P. Marrone, James M. Moran, Tomoaki Oyama, Richard Plambeck, Rurik A. Primiani, Alan E. E. Rogers, Daniel L. Smythe, Jason SooHoo, Peter Strittmatter, Remo P. J. Tilanus, Michael Titus, Jonathan Weintroub, Melvyn Wright, Ken H. Young, and Lucy Ziurys. Jet-Launching Structure Resolved Near the Supermassive Black Hole in M87. Science, 2012; DOI: 10.1126/science.1224768

Note: If no author is given, the source is cited instead.

Disclaimer: Views expressed in this article do not necessarily reflect those of ScienceDaily or its staff.

Source: http://feeds.sciencedaily.com/~r/sciencedaily/top_news/top_science/~3/WBh_ukb1cjY/120927144526.htm

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Music Review: Joe Strummer & The Mescaleros - Joe Strummer ...

The performers I've always admired the most are the ones most willing to change and or experiment with the type of music they play. As far as I'm concerned it was a willingness to experiment that made Joe Strummer a cut above a lot of the musicians who had their start in the punk era of the 1970s . From his days as front man with the The Clash to his work with Joe Strummer and the Mescaleros, he never stood still musically. From mixing reggae and punk to utilizing Latin rhythms, he always pushed his music in new directions. However, one thing that stayed consistent throughout his career was the emotional commitment to social and political justice that motivated the majority of what he wrote.

A recent release from Epitaph Records, Joe Strummer & The Mescaleros: The Hellcat Years offers listeners a great opportunity to experience the extent of his musical diversity. Put together in commemoration of what would have been Strummer's 60th birthday (August 21, 2012) it's only available as a digital release. However it offers an almost complete retrospective of his career. Not only does it compile material from the three Mescaleros albums on the Hellcat Records label (Rock Art and the X-Ray Style, Global A Go Go, and Streetcore), it also includes close to 25 bonus tracks consisting of B-sides, live material and dub versions of songs. While they are all played by the Mescaleros, they come from various times throughout his career, including covers of songs by The Clash, The Ramones, and the Specials. The last 18 tracks are taken from a concert the band gave as a benefit for the Fire Brigades Union of London in 2002. Not only are there some wonderful live versions of Mescaleros songs in this concert, but it also contains new versions of some old Clash favourites.

With 57 tracks in total this collection gives new meaning to the word comprehensive. However, what I find remarkable is that not only does it manage to demonstrate Strummer's musical diversity, it also captures the energy and emotion that made him so compelling. Even better, there are also tracks which show he could be a lot of fun as well. People can't focus on changing the world all the time, and Strummer was no exception. A great example of this is a live version of the old Specials song, "Rudi, A Message To You". He starts off by teasing the crowd, asking them which of them had owned a pork-pie hat (emblematic of ska music lovers in the 1980s) back in the day, and then leads them all in a sing-a-long of the tune. In fact, he doesn't really have to do much leading, as the crowd starts singing of their own volition, he just has to encourage them.

"Rudi" is sandwiched between live covers of Jimmy Cliff's "The Harder They Come" and the Ramones "Blitzkrieg Bop". The three were originally released as the B-side for the single of the Mescaleros' song "Coma Girl". Listening to those three tracks one right after each other is like listening to the different sides of Strummer all at once. There's the social political statement of "The Harder They Come", followed by the still political but lighthearted fun of "Rudi", and finally the raw anarchy/power of "Blitzkrieg Bop". From reggae to ska to power pop/punk without missing a beat, it's almost his career in a nutshell.

I say almost, because while those are aspects of what he was, he was also much more. Listen to his version of Bob Marley's "Redemption Song" or to his 17 plus minute "Minstrel Boy" and you'll hear a completely different artist. With minimal musical accompaniment he sings the former as if it's a heartfelt explanation of his motivations for making music, "So won't you help to sing/These songs of freedom/Cause all I ever had/These songs of freedom/Cause all I ever had/Redemption songs/These songs of freedom/These songs of freedom". He sings it so simply and honestly, it's hard not to think it's his way of telling people what he's been trying to do all for all he years of his career.

On the other hand "Minstrel Boy" is an instrumental, one of the few if not the only one Strummer ever wrote outside of music he created for movie soundtracks. Aside from its novelty as an instrumental, its interesting musically as well. It shares many similarities with a Celtic folk song including rhythm, atmosphere, and instrumentation, but there's also something about it that makes it markedly different. First is its length of course, far longer than most folk songs, but even more important is what doesn't happen in the song. For while a great many of these types of folk songs (think of "When Johnny Comes Marching Home" and songs like that) celebrate or commemorate events in history and have a certain romanticism to them, "Minstrel Boy" doesn't seem to be about anything in particular. There's no mention of any great victories or tragic defeats for people to become worked up over, it's just 17 plus minutes of almost slow dirge like music. It's like Stummer wants to remind everybody there's nothing romantic about war or killing people, no matter what the cause and no amount of stirring songs will change that fact.

While the material on this collection includes songs Strummer wrote when he was with The Clash and covers of material from that time period, all of them were recorded with the Mescaleros. So that means you have Tymon Dogg playing violin on tracks like "Rudi, A Message To You" and the Clash's "Junko Partner" and breathing new life into them. Still, it's hard not to be stirred by the final three songs of the collection where Mick Jones joins Strummer on stage for the first time since he left The Clash 20 years earlier. Hearing them tear through three classic Clash tunes, "Bank Robber", "White Riot", and "London's Burning" is a treat. Yet even then, the songs aren't just faithful copies of what had been done previously as the new band puts their own take on the material.

The concert at Acton Town Hall in London, from which these live tracks were taken, was on November 15, 2002 and turned out to be the second-to-last live appearance Strummer would ever make. On November 22, 2002 the Mescaleros played Liverpool and Strummer died of a congenital heart disease December 22, 2002. Strummer was 50 years old when he died and there's no telling what he would have gone on to do if he had lived. The final Mescaleros recording, Streetcore, was released almost a year after his death in October 2003. As you can tell from the tracks included on this compilation, it was classic Strummer, with a mix of the hard-driving and political ("Get Down Moses" and "Coma Girl") and the introspective ("Redemption Song" and folk music). Also included is "Long Shadow", written for Johnny Cash and recorded with Cash's guitarist Smokey Hormel.

Joe Strummer is still probably best remembered as the lead singer of The Clash, but his career continued for almost 15 years after they disbanded. The new digital-only collection Joe Strummer & The Mescaleros: The Hellcat Years is not only a compilation of material from his post-Clash career, it's a reminder he was much more than just a punk rocker. His work with the Mescaleros was as political and socially conscious as anything he did with The Clash but he also continued to take risks musically as he aged. It's probably about time his work in this second part of his career is recognized as being equally important as anything he did as a member of The Clash. If listening to this collection can convince even a hardcore Clash fan like me of the truth of that statement, it should convince anyone.

View the original article on blogcritics.org

Source: http://www.seattlepi.com/lifestyle/blogcritics/article/Music-Review-Joe-Strummer-The-Mescaleros-Joe-3899277.php

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Health alliance illinois - HEALTH, BEAUTY & FITNESS

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Thursday, September 27, 2012

Paper: Federal law needed to safeguard 'digital afterlives'

Paper: Federal law needed to safeguard 'digital afterlives' [ Back to EurekAlert! ] Public release date: 26-Sep-2012
[ | E-mail | Share Share ]

Contact: Phil Ciciora
pciciora@illinois.edu
217-333-2177
University of Illinois at Urbana-Champaign

CHAMPAIGN, Ill. Federal law ought to play a stronger role in regulating social networking sites by allowing users to determine what happens to their "digital afterlives," says a recently published paper by a University of Illinois expert in intellectual property law.

Allowing social networking sites to set their own policies regarding the content associated with the accounts of deceased users does not adequately protect individual and collective interests, especially with people spending an increasing part of their lives online using social networking sites, says Jason Mazzone, a professor of law.

"Virtually no law regulates what happens to a person's online existence after his or her death," he said. "This is true even though individuals have privacy and copyright interests in materials they post to social networking sites."

Mazzone (pronounced "Maht-ZONE-A") says in the absence of legal regulation, social networking sites are unlikely to adopt user-friendly policies for the disposition of copyright materials from the accounts of the deceased.

"The current situation is that there's very little law involved," said Mazzone, the Lynn H. Murray Faculty Scholar at Illinois. "Social networking sites determine on their own what, if anything, to do with a deceased user's account and the materials the user posted to the site. And their policies are not likely to reflect the collective interests that exist with respect to copyright law. It's a little bit like letting the bank decide what to do with your money after you die."

According to the paper, a federal statute could impose some requirements upon social networking sites to give users a degree of control over what happens to their accounts.

"You only want the federal government involved if there's some failure on the part of the states," Mazzone said. "But it would be very difficult for any particular state to set up a legal regime that would adequately regulate Facebook, which not only operates all across the U.S. but also all over the world. Some states have enacted legislation in an effort to protect their own citizens, but it's not at all clear how it would affect Facebook as a whole.

"In order for this type of law to be effective, we have to turn to the federal government."

There are also broader societal interests for preserving content for historical purposes, said Mazzone, the author of "Copyfraud and Other Abuses of Intellectual Property Law," published by Stanford University Press in 2011.

"It's becoming increasingly common for people to have digital assets, and some of them do actually have value," he said. "Not only are such sites repositories of intellectual property, they also are important to family members and friends. Historians of the future will likely depend upon digital archives to reconstruct the past, which creates a real problem, particularly in an age when we don't leave diaries, and, increasingly, people don't write books."

According to Mazzone, Facebook's current policy is to "memorialize" the account of the deceased, meaning all uploaded content status updates, photos, videos disappears but the wall remains intact for current friends to express condolences.

"The content is no longer visible but it's all still on Facebook's servers," he said. "It's just that no one can actually see it."

So why is Facebook hoarding all of this content?

"Well, I suspect that Facebook thinks that there's going to be some future value to having all of that content locked away," Mazzone said. "Either because it will have historical significance, or because Facebook thinks there will be something they are going to do with that content down the road. There are already pretty crude avatars being built based on their email exchanges and Facebook posts, so it's conceivable that there could be things like holograms that are developed 100 years from now thanks to the mining of all of this data. But Facebook doesn't know that for sure, and that's why they see the value in holding on to all of this."

But ultimately the content is not Facebook's to keep, Mazzone says.

"Whoever uploaded the content has a property right that is protected it's not extinguished by anything that Facebook does," he said. "The trouble, though, is how you or your heirs get your hands on that content. The person who has inherited the copyright, who has the ability to control the uses of the work, can't take advantage of it because it's locked away in Facebook's digital vault. That's why we need to get to a place where we can require an entity like Facebook to give individual users at least some possibility of deciding while they're still alive what's going to happen to their content after they die."

Mazzone says there are plenty of different ways to produce that result, with the Health Insurance Portability and Accountability Act providing a good example of how to protect privacy interests while allowing users to "exercise affirmative control."

"HIPAA allows patients to specify who is going to get access to health records, and you have to affirmatively opt-in to that system," he said. "It's another area of federal law where you have information that's important and there are privacy interests involved. So I think that sort of model has some potential."

According to Mazzone, it's something of a sore spot for Facebook users.

"It's really pretty astonishing that there is no way for individual users to say, 'When I die, this is what happens to my account,' " he said. "Instead, it comes under the control of Facebook. I know many users have complained about the lack of just such an option. I also think it's the way Facebook users would think that things ought to work, and many users would be surprised to learn that there is no such option. I do think that it's pretty essential that that be available given the sorts of intellectual property and privacy interests that are at stake."

###

The paper, "Facebook's Afterlife," was published in the North Carolina Law Review.

Editor's note: To contact Jason Mazzone, call 217-300-0385; email mazzonej@illinois.edu.

The article is available online.



[ Back to EurekAlert! ] [ | E-mail | Share Share ]

?


AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.


Paper: Federal law needed to safeguard 'digital afterlives' [ Back to EurekAlert! ] Public release date: 26-Sep-2012
[ | E-mail | Share Share ]

Contact: Phil Ciciora
pciciora@illinois.edu
217-333-2177
University of Illinois at Urbana-Champaign

CHAMPAIGN, Ill. Federal law ought to play a stronger role in regulating social networking sites by allowing users to determine what happens to their "digital afterlives," says a recently published paper by a University of Illinois expert in intellectual property law.

Allowing social networking sites to set their own policies regarding the content associated with the accounts of deceased users does not adequately protect individual and collective interests, especially with people spending an increasing part of their lives online using social networking sites, says Jason Mazzone, a professor of law.

"Virtually no law regulates what happens to a person's online existence after his or her death," he said. "This is true even though individuals have privacy and copyright interests in materials they post to social networking sites."

Mazzone (pronounced "Maht-ZONE-A") says in the absence of legal regulation, social networking sites are unlikely to adopt user-friendly policies for the disposition of copyright materials from the accounts of the deceased.

"The current situation is that there's very little law involved," said Mazzone, the Lynn H. Murray Faculty Scholar at Illinois. "Social networking sites determine on their own what, if anything, to do with a deceased user's account and the materials the user posted to the site. And their policies are not likely to reflect the collective interests that exist with respect to copyright law. It's a little bit like letting the bank decide what to do with your money after you die."

According to the paper, a federal statute could impose some requirements upon social networking sites to give users a degree of control over what happens to their accounts.

"You only want the federal government involved if there's some failure on the part of the states," Mazzone said. "But it would be very difficult for any particular state to set up a legal regime that would adequately regulate Facebook, which not only operates all across the U.S. but also all over the world. Some states have enacted legislation in an effort to protect their own citizens, but it's not at all clear how it would affect Facebook as a whole.

"In order for this type of law to be effective, we have to turn to the federal government."

There are also broader societal interests for preserving content for historical purposes, said Mazzone, the author of "Copyfraud and Other Abuses of Intellectual Property Law," published by Stanford University Press in 2011.

"It's becoming increasingly common for people to have digital assets, and some of them do actually have value," he said. "Not only are such sites repositories of intellectual property, they also are important to family members and friends. Historians of the future will likely depend upon digital archives to reconstruct the past, which creates a real problem, particularly in an age when we don't leave diaries, and, increasingly, people don't write books."

According to Mazzone, Facebook's current policy is to "memorialize" the account of the deceased, meaning all uploaded content status updates, photos, videos disappears but the wall remains intact for current friends to express condolences.

"The content is no longer visible but it's all still on Facebook's servers," he said. "It's just that no one can actually see it."

So why is Facebook hoarding all of this content?

"Well, I suspect that Facebook thinks that there's going to be some future value to having all of that content locked away," Mazzone said. "Either because it will have historical significance, or because Facebook thinks there will be something they are going to do with that content down the road. There are already pretty crude avatars being built based on their email exchanges and Facebook posts, so it's conceivable that there could be things like holograms that are developed 100 years from now thanks to the mining of all of this data. But Facebook doesn't know that for sure, and that's why they see the value in holding on to all of this."

But ultimately the content is not Facebook's to keep, Mazzone says.

"Whoever uploaded the content has a property right that is protected it's not extinguished by anything that Facebook does," he said. "The trouble, though, is how you or your heirs get your hands on that content. The person who has inherited the copyright, who has the ability to control the uses of the work, can't take advantage of it because it's locked away in Facebook's digital vault. That's why we need to get to a place where we can require an entity like Facebook to give individual users at least some possibility of deciding while they're still alive what's going to happen to their content after they die."

Mazzone says there are plenty of different ways to produce that result, with the Health Insurance Portability and Accountability Act providing a good example of how to protect privacy interests while allowing users to "exercise affirmative control."

"HIPAA allows patients to specify who is going to get access to health records, and you have to affirmatively opt-in to that system," he said. "It's another area of federal law where you have information that's important and there are privacy interests involved. So I think that sort of model has some potential."

According to Mazzone, it's something of a sore spot for Facebook users.

"It's really pretty astonishing that there is no way for individual users to say, 'When I die, this is what happens to my account,' " he said. "Instead, it comes under the control of Facebook. I know many users have complained about the lack of just such an option. I also think it's the way Facebook users would think that things ought to work, and many users would be surprised to learn that there is no such option. I do think that it's pretty essential that that be available given the sorts of intellectual property and privacy interests that are at stake."

###

The paper, "Facebook's Afterlife," was published in the North Carolina Law Review.

Editor's note: To contact Jason Mazzone, call 217-300-0385; email mazzonej@illinois.edu.

The article is available online.



[ Back to EurekAlert! ] [ | E-mail | Share Share ]

?


AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.


Source: http://www.eurekalert.org/pub_releases/2012-09/uoia-pfl092612.php

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UVU gets federal grant for cybersecurity program

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Source: http://news.yahoo.com/uvu-gets-federal-grant-cybersecurity-program-145943673--finance.html

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Wednesday, September 26, 2012

Mannyw | Monitoring Your Heating and AC Systems

Posted by admin & filed under Services.

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Campaigns pick Iowa poll sites for favored voters (The Arizona Republic)

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Winning & Losing, Left & Right (OliverWillisLikeKryptoniteToStupid)

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Tuesday, September 25, 2012

Apple sells over 5 million iPhone 5, supply constraints loom

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Source: http://news.yahoo.com/apple-sold-more-5-million-iphone-5-124518848--finance.html

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